Let’s see how many of you know this one.
Way back in the day (yeah, I’m old), I had this song on a 45 RPM single. Chances are
I stole it from my brother gave it to me.
I was totally taken in with the backwards tracked guitar and other wild sounds that start the album.
The oscillating, reversed guitar which opens the song originated from the rehearsals at Russell’s house, where Williams recorded with a 1958 Gibson Les Paulguitar with a Bigsby vibrato unit. According to Lowe, “We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end. Dave cued up a tape and didn’t hit ‘record,’ and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, ‘What was that?’ They didn’t have the monitors on so they hadn’t heard it. I made Dave cut it off and save it for later.”https://en.wikipedia.org/wiki/I_Had_Too_Much_to_Dream_(Last_Night)
I remember dancing, well what I would call dancing – I’m sure you’d disagree, around my tiny bedroom with this turned up full volume. Needless to say, my mother was not impressed. The video appears to be from Dick Clark’s American Bandstand, although I cannot find it listed on this page. Watching drummer Preston Ritter just pounding the kit, along with vocalist James Lowe (and his autoharp) make me laugh. As was usual for any show such as this one, everything was lip synced. You’ll notice that there are no amps for the guitars. I’ve often wondered how the audience perceived the “performance” by the artists. Could they tell it wasn’t live (nor Memorex)?
So, as Dick Clark says; “Ladies and gentlemen, The Electric Prunes“!
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