(A. K. A. What’s Stuck In Wifey’s Head)
This should not be a surprise as we are indeed flying away in just a few hours time.
This is one of those songs that comes and goes at very random times. Maybe because so many people have recorded it.
This song is of unkown authorship and is considered a traditional folk song. It may have started out that way, even when Bob Dylan recorded it in 1961 for his debut album. But by the time that The Animals recorded it on 18 May 1964 it was transformed into a “folk rock” hit.
Lead singer of the Animals, Eric Burdon, tells the tale that the group needed a song to end their set while on tour with Chuck Berry, that was different. Not a straight out rocker that most bands were ending sets with. To do this, they took this song, put Eric in a single red spot on stage and rocked it some. The response was so positive they decided to record it over the reluctance of their producer. The song was recorded in one take, all of 15 minutes or so.
The Animals had begun featuring their arrangement of “House of the Rising Sun” during a joint concert tour with Chuck Berry, using it as their closing number to differentiate themselves from acts that always closed with straight rockers. It got a tremendous reaction from the audience, convincing initially reluctant producer Mickie Most that it had hit potential, and between tour stops the group went to a small recording studio on Kingsway in London to capture it.
But, that’s not what I came here to tell you about (you were waiting for that line, weren’t you?). Back in the day when I was a worship leader in churches, we used to play around during warm ups by playing Amazing Grace to the tune of House of the Rising Sun. Since it’s a very basic song in A minor, and in 4/4 time, the basic melody and rhythms can accept many other lyrics.
For fun, play in your head Amazing Grace to the tune of Peaceful Easy Feeling or better yet the theme song from Gilligan’s Island.
And now that I’ve got that stuck in your head, my job is done here.
A.K.A. The Sleepless Night Edition
Short and quick today…
The ending of this song has been stuck for a while now;
There is no Eden or
That you’re gonna make it to one day
But all of the answers you seek
Can be found
In the dreams that you dream on the way
A.K.A. The anxious edition..
While you are reading this (you are reading this and not just jumping to see which video I’m using this time, right??), I’m sitting in my dentist’s chair having yet another crown done. This isn’t just another crown, it’s a replacement crown for a job done only 14 months ago. Sheesh..
I do have a moderate phobia of dentists. Which is a bit odd when you consider that I went through several years of orthodontic works as a teenager with no real issues. Plus, the fact that I spent the majority of my young adult life as an Army Combat Medic (equivalent to a Paramedic). I taught many classes on giving immunizations and even intravenous (IV) classes. I’ve given myself an IV (as a demonstration), and even sutured both of my sons. Needles and blood are not the problem.
The problem started long ago. In 1986 to be exact. I was leaving Fort Bragg, NC the next day. My wife and son (only had the one at the time), were leaving first to Florida to drop them off, then I was headed to Fort Greely Alaska. This particular afternoon, I was playing racquetball with a few of friends that were staying at Fort Bragg. While running to the back wall of the court my ankle turned and I went face first into that concrete back wall. I ended up shattering my right front tooth (number 8 if you’re really interested).
Upon arrival at Fort Greely, as with any military posting, you must turn in your personnel, education, medical, and dental records at the appropriate offices. When I showed up at the dental clinic, they immediately scheduled an appointment with the dentist to have that shattered tooth evaluated.
Here’s the kicker. About 20 years before this I was hit in the mouth by a baseball. This damaged the tooth extensively, and according to the family dentist the tooth was “dead”. I had no feeling in the tooth, and it yellowed quickly.
I told the dentist in Alaska the story and she decided I needed a root canal. I wasn’t really surprised that she wanted one, but since the tooth had been damaged so long ago, I wasn’t sure it was really needed.
Now, I don’t know if this dentist was right out of school or what. But it was almost three hours in the chair, and so many injections of lidocaine; all for naught. In the end all she could say was the root was too calcified to her to get it out. And I’m thinking, I could have told you that. I have my suspicions that I was her first root canal without supervision and she was not about to fail.
Sad to say that I now have a dislike for dentists.
But the dentist we use is anything but that. He is a really nice guy, has great music playing, and even tries to make you laugh whenever possible. Since this is just a replacement, and the temporary is already there, it should be cake and pie. Maybe. Hopefully. Let’s hope he’s not having a bad day.
P.S. Have a medical phobia of your own? Leave a comment so we can all commiserate with you!
Now I have to admit that the first time I heard this song it was a cover by The Lumineers. And even though I had never heard of The Lumineers at that time, I was totally entranced by the song and the band.
This is a Tom Petty song. Tom has long been one of my favorite musicians. Either solo, with The Heartbreakers, The Traveling Wilburys as “Charlie T. WIlbury Jr.”, and later (ironically since it was his first band) Mudcrutch. When Wifey got her new car and a subscription to SiriusXM Radio, she came home saying she had been listening to the Tom Petty channel, and was wondering about this band Mudcrutch and why they were being played on that channel. Once again my “music-savant” superpower came through!
This is part of the soundtrack from the movie, “She’s The One”. Needless to say, I’ve never seen the movie. Can’t even recall an advertisment for it. Judging by the listings on YouTube, it’s been covered many times. The cover by The Lumineers was on the first anniversary of Tom’s untimely death. The soundtrack actually has two versions of the song. I’m using (No. 3) version for the video. It’s a bit more mellow than the first release, although Jennifer Aniston isn’t in the video for (No. 3), but is in the video for (Circus). And no, I haven’t seen that either. I really don’t watch much TV or movies. Yeah, I’m boring.
Well enough of that, here’s “Walls (No. 3)”. And yeah, this video sucks, but the song is excellent!
The other evening, Wifey and I were relaxing having just got home from work and deciding what to make for dinner. As usual, I had music playing while we were talking. I have music playing all the time. If not out loud, it’s playing in my head. Hence this series of posts.
Instead of the usual streaming music, SiriusXM, Spotify or Pandora, I had a YouTube playlist going. Some song would come on, and I would interrupt, or just pop out with some obscure fact about the song, band, or event that was playing. Wifey usually just smiles and goes back to whatever she was doing. She tolerates me well.
But then this song came on. And she stopped what she was doing, picked up her wine glass and came over to the computer desk where I was sitting to see the video. My playlists tend to feature guitar playing. This particular list is heavy with Eric Clapton. But this isn’t a Clapton song, even though he’s featured in the video.
Tracy Chapman has been a favorite of ours since we first heard “Fast Car“. Her music is so deeply personal it almost hurts. And she is so expressive. Her smile can light up a room, and that smile is so present in this video. As wifey said, she must be thinking “Eric Clapton is playing my song!!!!!”. Who wouldn’t simile when that happens.
So here’s Tracy Chapman and Eric Clapton playing “Give Me One Reason” from 1999. Enjoy!
Let’s go back to the summer of 1969. I was a strapping lad all of 10. Of course, I had not heard of this band then, much less this particular song. The name “Fleetwood Mac” didn’t hit my radar until much, much later with their “Rumours” album in 1977. And, like the majority of my male friends, I was trying to get with Stevie Nicks.
But, as usual, that’s not what I came here to talk about. Fleetwood Mac started out, not as a rock or pop band, but as a blues band. We all know, or if you didn’t know, you do now, that rock is very heavily influenced if not down right a derivative of, the blues. And I am very much into the blues.
“Oh Well” was recorded by the first version of Fleetwood Mac, and this a band that has had many changes.
Fleetwood Mac was founded by guitarist Peter Green, drummer Mick Fleetwood and guitarist Jeremy Spencer. Bassist John McVie completed the lineup for their self-titled debut album. Danny Kirwan joined as a third guitarist in 1968. Keyboardist Christine Perfect, who contributed as a session musician from the second album, married McVie and joined in 1970. At this time it was primarily a British blues band, scoring a UK number one with “Albatross“, and had lesser hits with the singles “Oh Well” and “Black Magic Woman“. All three guitarists left in succession during the early 1970s, to be replaced by guitarists Bob Welch and Bob Weston and vocalist Dave Walker. By 1974, all three had either departed or been dismissed, leaving the band without a male lead vocalist or guitarist.
The single’s peak position in the UK Charts was No. 2 for two weeks in November 1969, spending a total of 16 weeks on the chart. In the Dutch Top 40, it peaked at No. 1, staying in the chart for 11 weeks. It also reached the top 5 in Ireland, Norway, New Zealand and France, and the top 10 in Germany and Switzerland.
“Oh Well” was a minor hit in the USA, where it reached #55, thus becoming Fleetwood Mac’s first single to reach the Hot 100, as well as their only pre-Buckingham/Nicks song to earn this distinction. The song still received some airplay on many FM rock stations and its reputation has grown in the years since its release. It has been also re-released in many countries as a ‘Golden Oldies’ single.
I am taken by the little guitar riff then the vocals alone. I always thought the juxtaposition of the fast guitars, then a single voice was cool. There are two parts to the song, but both parts were never played live. Each part was released as the A and B side of a single. Peter Green says to have written part two first, and wanted it released as the A side with the now more popular part one as the B side. But that’s not what happened, and as the saying goes… “the rest is history”.
Here is “Oh Well, Part 1”, live from a 1969 BBC TV show. Enjoy!
And since this is St. Patrick’s Day, I give you this:
Yes, I know, I’ve been very quiet lately. The silence was due to two main reasons, I was sick and work has been crazy busy. Plus I’ve been doing lots on my genealogy.
But enough about that.
Last weekend Wifey and I didn’t have the grandkids for a change. So we did “adult” things. Things like, clean the house, wash the cars (and the dog). You, know fun stuff. But instead of having SiriusXM playing all day, I switched it up and played YouTube playlists. If you’re a regular reader of this blog or follow me on Twitter (social media links are below), you know that I use YouTube for most of my video links. Today will be no different.
This particular track has always been a favorite from the first time I laid eyes on the album cover, I was hooked.
The most common video of the song is taken from some TV show, I’m not sure which one. Chances are my brother will text me the answer when he reads this. He’s good that way.
The power of Grace’s voice is just so amazing. P!nk did a wonderful cover, but it’s just not quite the same.
I had so much more to say, but work is calling (again)… “Anyway, my coffee’s cold and I’m getting told that I gotta get back to work”, but then that’s an entirely different song.
I apologize up front for the lack of posts lately. I have been working on my genealogy quite heavy. There will be a post about that coming up, but I will say I’m about 75% sure I’ve finally found that elusive “immigrant ancestor”.
But, of course, “That’s not what I came here to talk about”.. (Thank you, Arlo).
Yesterday, Wifey and I were standing in line at our local pharmacy (at my age we spend a lot of time there), and this song was playing as background music. I remember back in the day when all the stores and office buildings had the same “elevator music” playing. Now they have streaming music to play. No more big digital tapes with 6 hours of crapola playing. Our dentist even has SiriusXM playing in his office! And this has been stuck in my head ever since.
It goes along, though only slightly, with my post of 8 January. Why? Simply because we again get to feature the autoharp. John Sebastian was the first person I ever saw playing this very odd instrument. Then my music teacher at school came in playing one. I was blown away!
The song peaked at #9 on the Billboard Hot 100. The song has been covered by many other artists including John Mellencamp in 1976, and Shaun Cassidy in 1978 when it reached #31 on the Billboard Hot 100. (Source) Wifey knew that Shaun Cassidy cover, I had no idea. It has also been used in quite a few TV shows and movies.
I was always intrigued by the “Lovin’ Spoonful” band name. As a kid, I had no idea any of the other meanings the name could imply.
The band’s name was inspired by some lines in a song of Mississippi John Hurt called the “Coffee Blues”. John Sebastian and others in the jug-folk scene of the time such as Geoff Muldaur credit Fritz Richmond for suggesting the name. The song “Coffee Blues” is a tribute to Maxwell House Coffee, which Hurt describes, “rapping” in the beginning of the song, as being two or three times any other brand, ergo, he only needs one spoonful to make him feel all right, what he describes as “my lovin’ spoonful” in the song. The song is part of a group of songs with a long history in recorded blues that generally use the term “a spoonful” to suggest sex, and in some cases use of a drug such as cocaine. The term “lovin’ spoonful” has been conjectured as referring to the amount of ejaculate released by a human male during a typical orgasm.
The last line of that quote could also be applied to English “Art” band, 10CC. Sorry, the (retired) paramedic in me has to get out now and then…
John Sebastian also went on to write the Welcome Back, the theme song for Welcome Back Kotter. The Spoonful were inducted into the Rock and Roll Hall of Fame in 2000 and John was inducted into the Songwriters Hall of Fame in 2008.
So, kids I have but one question for you; “Do You Believe In Magic?”
If you’ve been keeping up with this blog, and this series, in particular, I’m sure you’ve noticed a penchant for British music. With an emphasis on the first “British Invasion” as the lead. Well, that’s not surprising, as that was the time frame I was forming my musical tastes. Not that I didn’t listen to American Rock N’ Roll. I listened to The Monkees, Paul Revere and the Raiders, The Everly Brothers, The Righteous Brothers, even Sonny & Cher as a kid. Later such bands as Creedence Clearwater Revival, Jefferson Airplane (but not Starship so much), The Mamas & The Papas, The Doors, Jimi Hendrix, and Crosby, Stills, Nash (with or without Young). Although CSN&Y may not be truly “American” as Graham Nash is British and Neil Young is Canadian.
Lately, I’ve been listening to the Tom Petty channel on SiriusXM. Not for any special reason, just as a break from the usual music I listen to. Plus, he’s a Floriduh native as I am. There was a guest celebrity DJ on the TP channel the other day (I think it was Dave Schools, the bassist for Widespread Panic) that mentioned that Petty’s American Girl may be the song that introduced most people to his music since it has been on quite a few movie soundtracks. See this wiki page for more information. And that may be true, but I found his music in other ways.
The song was the final song performed by the band live, on September 25, 2017, at the Hollywood Bowl in Los Angeles, California. Petty died of complications from cardiac arrest after an accidental prescription medication overdose on October 2, just more than a week later, signaling the end of the Heartbreakers’ 40-year career.https://en.wikipedia.org/wiki/American_Girl_(Tom_Petty_song)
But, that’s not the song I want to talk about. When Wifey and I heard that comment, I said that I was unsure of which song was the what turned me on to Tom’s music. It was between two. One of which is the subject of this post, the other will surface in another post coming up (for a different reason altogether).
That was a hard record to make. It was a 4-track that I made at my house. He (Tom Petty) wrote over the music as it was, no changes, but it took us forever to actually cut the track. We just had a hard time getting the feel right. We must have recorded that 100 times.https://en.wikipedia.org/wiki/Refugee_(Tom_Petty_and_the_Heartbreakers_song)
I remember being so frustrated with it one day that – I think this is the only time I ever did this – I just left the studio and went out of town for two days. I just couldn’t take the pressure anymore, but then I came back and when we regrouped we were actually able to get it down on tape.
What’s your favorite Tom Petty song? Leave me a comment (preferably here and not on that social media page – I won’t see if for days, maybe even weeks!).