Series

What’s Stuck In My Head – 17 March

Let’s go back to the summer of 1969. I was a strapping lad all of 10. Of course, I had not heard of this band then, much less this particular song. The name “Fleetwood Mac” didn’t hit my radar until much, much later with their “Rumours” album in 1977. And, like the majority of my male friends, I was trying to get with Stevie Nicks.

But, as usual, that’s not what I came here to talk about. Fleetwood Mac started out, not as a rock or pop band, but as a blues band. We all know, or if you didn’t know, you do now, that rock is very heavily influenced if not down right a derivative of, the blues. And I am very much into the blues.

“Oh Well” was recorded by the first version of Fleetwood Mac, and this a band that has had many changes.


Fleetwood Mac was founded by guitarist Peter Green, drummer Mick Fleetwood and guitarist Jeremy Spencer. Bassist John McVie completed the lineup for their self-titled debut albumDanny Kirwan joined as a third guitarist in 1968. Keyboardist Christine Perfect, who contributed as a session musician from the second album, married McVie and joined in 1970. At this time it was primarily a British blues band, scoring a UK number one with “Albatross“, and had lesser hits with the singles “Oh Well” and “Black Magic Woman“. All three guitarists left in succession during the early 1970s, to be replaced by guitarists Bob Welch and Bob Weston and vocalist Dave Walker. By 1974, all three had either departed or been dismissed, leaving the band without a male lead vocalist or guitarist.


https://en.wikipedia.org/wiki/Fleetwood_Mac


The single’s peak position in the UK Charts was No. 2 for two weeks in November 1969, spending a total of 16 weeks on the chart. In the Dutch Top 40, it peaked at No. 1, staying in the chart for 11 weeks. It also reached the top 5 in Ireland, Norway, New Zealand and France, and the top 10 in Germany and Switzerland.
“Oh Well” was a minor hit in the USA, where it reached #55, thus becoming Fleetwood Mac’s first single to reach the Hot 100, as well as their only pre-Buckingham/Nicks song to earn this distinction. The song still received some airplay on many FM rock stations and its reputation has grown in the years since its release. It has been also re-released in many countries as a ‘Golden Oldies’ single.


https://en.wikipedia.org/wiki/Oh_Well_(song)

I am taken by the little guitar riff then the vocals alone. I always thought the juxtaposition of the fast guitars, then a single voice was cool. There are two parts to the song, but both parts were never played live. Each part was released as the A and B side of a single. Peter Green says to have written part two first, and wanted it released as the A side with the now more popular part one as the B side. But that’s not what happened, and as the saying goes… “the rest is history”.

Here is “Oh Well, Part 1”, live from a 1969 BBC TV show. Enjoy!

And since this is St. Patrick’s Day, I give you this:

Peace,
B

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What’s Stuck In My Head – 20 February

Yes, I know, I’ve been very quiet lately. The silence was due to two main reasons, I was sick and work has been crazy busy. Plus I’ve been doing lots on my genealogy.

But enough about that.

Last weekend Wifey and I didn’t have the grandkids for a change. So we did “adult” things. Things like, clean the house, wash the cars (and the dog). You, know fun stuff. But instead of having SiriusXM playing all day, I switched it up and played YouTube playlists. If you’re a regular reader of this blog or follow me on Twitter (social media links are below), you know that I use YouTube for most of my video links. Today will be no different.

This particular track has always been a favorite from the first time I laid eyes on the album cover, I was hooked.

The most common video of the song is taken from some TV show, I’m not sure which one. Chances are my brother will text me the answer when he reads this. He’s good that way.

The power of Grace’s voice is just so amazing. P!nk did a wonderful cover, but it’s just not quite the same.

I had so much more to say, but work is calling (again)… “Anyway, my coffee’s cold and I’m getting told that I gotta get back to work”, but then that’s an entirely different song.

So here is a live version of White Rabbit, by Jefferson Airplane (not Starship, I despise that regrouping)…

Peace,
B

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What’s Stuck In My Head – 27 January

I apologize up front for the lack of posts lately. I have been working on my genealogy quite heavy. There will be a post about that coming up, but I will say I’m about 75% sure I’ve finally found that elusive “immigrant ancestor”.

But, of course, “That’s not what I came here to talk about”.. (Thank you, Arlo).

Yesterday, Wifey and I were standing in line at our local pharmacy (at my age we spend a lot of time there), and this song was playing as background music. I remember back in the day when all the stores and office buildings had the same “elevator music” playing. Now they have streaming music to play. No more big digital tapes with 6 hours of crapola playing. Our dentist even has SiriusXM playing in his office! And this has been stuck in my head ever since.

It goes along, though only slightly, with my post of 8 January. Why? Simply because we again get to feature the autoharp. John Sebastian was the first person I ever saw playing this very odd instrument. Then my music teacher at school came in playing one. I was blown away!

The song peaked at #9 on the Billboard Hot 100. The song has been covered by many other artists including John Mellencamp in 1976, and Shaun Cassidy in 1978 when it reached #31 on the Billboard Hot 100. (Source) Wifey knew that Shaun Cassidy cover, I had no idea. It has also been used in quite a few TV shows and movies.

I was always intrigued by the “Lovin’ Spoonful” band name. As a kid, I had no idea any of the other meanings the name could imply.


The band’s name was inspired by some lines in a song of Mississippi John Hurt called the “Coffee Blues”. John Sebastian and others in the jug-folk scene of the time such as Geoff Muldaur credit Fritz Richmond for suggesting the name. The song “Coffee Blues” is a tribute to Maxwell House Coffee, which Hurt describes, “rapping” in the beginning of the song, as being two or three times any other brand, ergo, he only needs one spoonful to make him feel all right, what he describes as “my lovin’ spoonful” in the song. The song is part of a group of songs with a long history in recorded blues that generally use the term “a spoonful” to suggest sex, and in some cases use of a drug such as cocaine. The term “lovin’ spoonful” has been conjectured as referring to the amount of ejaculate released by a human male during a typical orgasm.

https://en.wikipedia.org/wiki/The_Lovin%27_Spoonful

The last line of that quote could also be applied to English “Art” band, 10CC. Sorry, the (retired) paramedic in me has to get out now and then…

John Sebastian also went on to write the Welcome Back, the theme song for Welcome Back Kotter. The Spoonful were inducted into the Rock and Roll Hall of Fame in 2000 and John was inducted into the Songwriters Hall of Fame in 2008.

So, kids I have but one question for you; “Do You Believe In Magic?”

Peace,
B

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What’s Stuck In My Head – 11 January

If you’ve been keeping up with this blog, and this series, in particular, I’m sure you’ve noticed a penchant for British music. With an emphasis on the first “British Invasion” as the lead. Well, that’s not surprising, as that was the time frame I was forming my musical tastes. Not that I didn’t listen to American Rock N’ Roll. I listened to The Monkees, Paul Revere and the Raiders, The Everly Brothers, The Righteous Brothers, even Sonny & Cher as a kid. Later such bands as Creedence Clearwater Revival, Jefferson Airplane (but not Starship so much), The Mamas & The Papas, The Doors, Jimi Hendrix, and Crosby, Stills, Nash (with or without Young). Although CSN&Y may not be truly “American” as Graham Nash is British and Neil Young is Canadian.

Lately, I’ve been listening to the Tom Petty channel on SiriusXM. Not for any special reason, just as a break from the usual music I listen to. Plus, he’s a Floriduh native as I am. There was a guest celebrity DJ on the TP channel the other day (I think it was Dave Schools, the bassist for Widespread Panic) that mentioned that Petty’s American Girl may be the song that introduced most people to his music since it has been on quite a few movie soundtracks. See this wiki page for more information. And that may be true, but I found his music in other ways.

The song was the final song performed by the band live, on September 25, 2017, at the Hollywood Bowl in Los AngelesCalifornia. Petty died of complications from cardiac arrest after an accidental prescription medication overdose on October 2, just more than a week later, signaling the end of the Heartbreakers’ 40-year career.

https://en.wikipedia.org/wiki/American_Girl_(Tom_Petty_song)

But, that’s not the song I want to talk about. When Wifey and I heard that comment, I said that I was unsure of which song was the what turned me on to Tom’s music. It was between two. One of which is the subject of this post, the other will surface in another post coming up (for a different reason altogether).

That was a hard record to make. It was a 4-track that I made at my house. He (Tom Petty) wrote over the music as it was, no changes, but it took us forever to actually cut the track. We just had a hard time getting the feel right. We must have recorded that 100 times.
I remember being so frustrated with it one day that – I think this is the only time I ever did this – I just left the studio and went out of town for two days. I just couldn’t take the pressure anymore, but then I came back and when we regrouped we were actually able to get it down on tape.

https://en.wikipedia.org/wiki/Refugee_(Tom_Petty_and_the_Heartbreakers_song)

This song peaked at 15 on the Billboard Hot 100 in 1980. And Melissa Etheridge did a wonderful cover of it. So, without further ado, here is Refugee.

What’s your favorite Tom Petty song? Leave me a comment (preferably here and not on that social media page – I won’t see if for days, maybe even weeks!).

Peace,
B

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What’s Stuck In My Head – 8 January

Let’s see how many of you know this one.

Way back in the day (yeah, I’m old), I had this song on a 45 RPM single. Chances are I stole it from my brother gave it to me.

I was totally taken in with the backwards tracked guitar and other wild sounds that start the album.

The oscillating, reversed guitar which opens the song originated from the rehearsals at Russell’s house, where Williams recorded with a 1958 Gibson Les Paulguitar with a Bigsby vibrato unit. According to Lowe, “We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end. Dave cued up a tape and didn’t hit ‘record,’ and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, ‘What was that?’ They didn’t have the monitors on so they hadn’t heard it. I made Dave cut it off and save it for later.”

https://en.wikipedia.org/wiki/I_Had_Too_Much_to_Dream_(Last_Night)

I remember dancing, well what I would call dancing – I’m sure you’d disagree, around my tiny bedroom with this turned up full volume. Needless to say, my mother was not impressed. The video appears to be from Dick Clark’s American Bandstand, although I cannot find it listed on this page. Watching drummer Preston Ritter just pounding the kit, along with vocalist James Lowe (and his autoharp) make me laugh. As was usual for any show such as this one, everything was lip synced. You’ll notice that there are no amps for the guitars. I’ve often wondered how the audience perceived the “performance” by the artists. Could they tell it wasn’t live (nor Memorex)?

So, as Dick Clark says; “Ladies and gentlemen, The Electric Prunes“!

Thanks for reading and watching! Remember to leave your comments here and not on those social media pages (I won’t see them for days!).

Peace,
B

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What’s Stuck In My Head – January 3

Now, this takes me back to high school (shudder – I hated those days). Back in those days, I was a band geek. I stall am a geek, just no longer a member of a band. But in theory, it’s all the same. The reason this song is stuck today is probably because I have a little mini-reunion with some of my high school band members tonight. </sigh>

As a trumpet player the band Chicago (A.K.A. Chicago Transit Authority) was my go to band in my late teens. The way they blended rock, horns and political statements was mesmerizing to me. They used a rather unique lettering or font on the album covers. I even started making any papers I had to turn in at school in this font, at least for any titles and drop cap type of format. Mainly hoping it help hide the usual lame prose I was turning in! Doubt it helped any.

This track is from the first album Chicago Transit Authority released way back in 1969. It was 1970 that I picked up the trumpet, and this song jumped out at me immediately.

While gaining some success as a cover band, the group began working on original songs. In June 1968, at manager James William Guercio‘s request, the Big Thing moved to Los AngelesCalifornia, signed with Columbia Records and changed its name to Chicago Transit Authority. It was while performing on a regular basis at the Whisky a Go Go nightclub in West Hollywood that the band got exposure to more famous musical artists of the time. Subsequently, they were the opening act for Janis Joplin and Jimi Hendrix. As related to group biographer, William James Ruhlmann, by Walt Parazaider, Jimi Hendrix once told Parazaider, “‘Jeez, your horn players are like one set of lungs and your guitar player is better than me.'”
Their first record (April 1969), Chicago Transit Authority, is a double album, which is rare for a band’s first release. The album made it to No. 17 on the Billboard 200 album chart, sold over one million copies by 1970, and was awarded a platinum disc. The album included a number of pop-rock songs – “Does Anybody Really Know What Time It Is?“, “Beginnings“, “Questions 67 and 68“, and “I’m a Man” – which were later released as singles. For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year.


According to Cetera, the band was booked to perform at Woodstock in 1969, but promoter Bill Graham, with whom they had a contract, exercised his right to reschedule them to play at the Fillmore West on a date of his choosing, and he scheduled them for the Woodstock dates. Santana, which Graham also managed, took Chicago’s place at Woodstock, and that performance is considered to be Santana’s “breakthrough” gig. A year later, in 1970, when he needed to replace headliner Joe Cocker, and then Cocker’s intended replacement, Jimi Hendrix, Graham booked Chicago to perform at Tanglewood which is considered by some to be a “pinnacle” performance.


After the release of their first album, the band’s name was shortened to Chicago to avoid legal action being threatened by the actual mass-transit company of the same name.[19]

https://en.wikipedia.org/wiki/Chicago_(band)

The track I’m linking to below is the original album version, not the radio edit. So it has the original piano intro that is cut for radio. But, more important to me, is Lee Loughnane’s trumpet solo, which is where the radio version usually starts. This solo, along with Chuck Mangione and Maynard Ferguson, is the reason I picked up the trumpet, to begin with.

The song was not released as a single until two tracks from the band’s second album, “Make Me Smile” and “25 or 6 to 4“, had become hits. It became the band’s third straight Top 10 single, peaking at  No.  7 in the U.S. and No. 2 in Canada. Because the song straddled years in its chart run, it is not ranked on the major U.S. year-end charts. However, in Canada, where it charted higher, it is ranked as both the 59th biggest hit of 1970 and the 37th biggest hit of 1971.
The original uncut album version opens with a brief “free form” piano solo performed by Lamm. A spoken verse by Lamm is mixed into the sung final verse of the album version. The single version does not include the “free form” intro, and was originally mixed and issued in mono. A stereo re-edit (beginning from the point where the “free form” intro leaves off) was issued on the group’s Only the Beginning greatest hits CD set.
A 2:54 shorter edit (without opening fanfare or piano break, starting at the trumpet solo) was included on the original vinyl version of Chicago’s Greatest Hits, but was not included on the CD version. This shorter edit was included on the CD version of the compilation album If You Leave Me Now. This version was used as a radio edit version. A shorter version at 2:46 (starting midway through the trumpet solo) was issued as a promotional single, which finally appeared on 2007’s The Best of Chicago: 40th Anniversary Edition.
A live version on the Chicago at Carnegie Hall box set presents an expanded version of the “free form” intro, which itself is given its own track.
Various versions of the song receive airplay; the promotional single edit is the version played on certain ‘Classic Hits’ stations and 1970s radio shows. For example, radio station KKMJ would play the promo edit version on its ‘Super Songs’ of the 70s weekend. Classic Hits KXBT would also play the promo edit, and by contrast the True Oldies Channel would play the 3:20 single version. An AM radio station in Boston (WJIB 740 which also simulcasts in Maine as WJTO 730) plays the original vinyl Chicago IX edit.

https://en.wikipedia.org/wiki/Does_Anybody_Really_Know_What_Time_It_Is%3F

I apologize for the lame video, but like I said, I used this version since it has the original piano intro. Just start the video to listen to the song, and go do something more visually entertaining.

Peace,
B

P.S. If by chance, you need me to help with something, anything, this evening to get me out of this mini reunion please let me know..  Not that I’m looking for an excuse or anything…

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Ginger’s Last Week – 2018

Our silly little elf, Ginger will return to her home at the North Pole this week. I wonder just what she has planned for us this week!

Elf with a construction paper countdown sitting on top of a cat tree.
Saturday, Ginger climbed the cat’s tree with a construction paper countdown.
Elf tangled in silver garland. ELf had strung the garland across the bedroom doors.
Oh my! On Sunday morning she trapped the girls in their rooms with garland she took off the tree! Is this an Elfie Crime Scene??
Elf made a Christmas tree and a heart with read & green M&M's
Christmas Eve and Ginger made a Christmas Tree and a heart with the green and red M&M’s.
Elf in a Christmas wreath with her suitcase.
Christmas day, and Ginger has to return home. She has her bag packed and off she goes.

Sadly, Ginger now has to return home to the North Pole. We will miss her, but expect even more silly things next year!

Ginger hopes you have enjoyed these two years of pictures and stories. And, we hope you come back to see next year’s posts. Don’t forget to search for “Ginger” to see last years stuff! And we admit that most of these ideas came from Pinterest. There are a few originals, but not many.

And I thank you for your time in reading this very random blog. I realize there are many blogs to choose from, some serious, some (most) more humorous than mine. I do appreciate every time you stop to read, like and even more so follows! Thanks to each and every one of you.

Peace,
B

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What’s Stuck In My Head – Christmas Eve 2018

First – this is not what’s stuck in MY head this morning. I have John Lennon’s Happy X-Mas (War Is Over) stuck in my head, as usual around the holiday. Wifey woke up with this stuck in her head, so I’m claiming “artistic license” and using her song.

She got out of the shower singing just one line from the song; “A lousy candle’s all I found”. Not even the entire verse, just one line. But I know that feeling.

So without further ado, here is John Kay and Steppenwolf – “Magic Carpet Ride”

We hope y’all enjoy! Happy Holidays!

Peace,
B

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What’s Stuck In My Head – 13 December

In full disclosure, this song was not stuck in my head when I woke up this morning. But I was listening to The Beatles channel on SiriusXM on the way in this morning, and this came on.  It’s been stuck there ever since.

I do not usually like covers of Beatles songs, with the exception of Joe Cocker’s covers.  Those rock!  I will add this to my “approved covers” list. As far as those hideous “Love” and “Across The Universe” soundtracks go, they are right out.

This cover is by Rufus Wainwright, the son of one of my “counter-culture” heroes, Loudon Wainwright III

I was going back in forth on which Beatle wrote this song. I was leaning towards John, which is correct, simply due to the depth of the lyrics. But with the mantra thrown in there, I figure George had at least a little input.

From the wiki;

One night in 1967, the phrase “words are flowing out like endless rain into a paper cup” came to Lennon after hearing his then-wife Cynthia, according to Lennon, “going on and on about something”. Later, after “she’d gone to sleep – and I kept hearing these words over and over, flowing like an endless stream”, Lennon went downstairs and turned it into a song. He began to write the rest of the lyrics and when he was done, he went to bed and forgot about them.
I was lying next to my first wife in bed, you know, and I was irritated, and I was thinking. She must have been going on and on about something and she’d gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than a “Why are you always mouthing off at me?”[1] [The words] were purely inspirational and were given to me as boom! I don’t own it you know; it came through like that.[2]
The flavour of the song was heavily influenced by Lennon’s and the Beatles’ interest in Transcendental Meditation in late 1967 – early 1968, when the song was composed. Based on this, he added the mantra “Jai guru deva om” (Sanskrit: जय गुरुदेव ) to the piece, which became the link to the chorus. The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as “glory to the shining remover of darkness”[3] and can be paraphrased as “Victory to God divine”, “Hail to the divine guru”, or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher, “All glory to Guru Dev“.[4]
The song’s lyrical structure is straightforward: three repetitions of a unit consisting of a verse, the line “Jai guru deva om” and the line “Nothing’s gonna change my world” repeated four times. The lyrics are highly image-based, with abstract concepts reified with phrases like thoughts “meandering”, words “slithering”, and undying love “shining”. The title phrase “across the universe” appears at intervals to finish lines, although it never cadences, always appearing as a rising figure, melodically unresolved. It finishes on the leading note; to the Western musical ear, the next musical note would be the tonic and would therefore sound complete.
In his 1970 interview with Rolling Stone, Lennon referred to the song as perhaps the best, most poetic lyric he ever wrote: “It’s one of the best lyrics I’ve written. In fact, it could be the best. It’s good poetry, or whatever you call it, without chewin’ it. See, the ones I like are the ones that stand as words, without melody. They don’t have to have any melody, like a poem, you can read them.”[5]

https://en.wikipedia.org/wiki/Across_the_Universe

So, anyway, here is Rufus Wainwright’s absolutely mesmerizing “Across The Universe”. I hope you enjoy it!

What’s your favorite Beatles song??

Peace,
B

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Ginger – Week 2 2018

Here’s what the crazy little elf, Ginger has been up to this week.

Elf climbing a rock wall made of Christmas bows
Saturday – I didn’t know she was into outdoor sports. She made a rock wall out of bows!
Elf replacing the creme in Oreos with toothpaste!
Sunday – What a naughty little elf!  She’s replacing the creme in the cookies with toothpaste!!!
Elf watching a little TV while the big TV is on behind her.
Monday – Watching her movie on the little screen, while Grinch is on t he big screen.
Elf sitting in a hand-made sleigh.
Tuesday – Just like back home!  Ginger is in a hand-made sleigh ornament!
Elf finding odd things in between the couch cushions.
Wednesday – Look at the stuff she found in the couch!
Elf wrapped up in Christmas lights.
Thursday – I think she was trying to help us decorate.
Elf with magic seeds for the girls to plant.
Friday and Ginger has a magic trick for the girls. She has some “magic seeds” for the girls to plant!

And that ends week two.  Next week we’ll see just what grows from these magic seeds!  What has your elf been up to?

Peace,
B

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